For example Ian Waugh has been writing about computer music for a very long time. The other reviewers here at are extremely experienced. I have spent around 25 years slinging a bass guitar about the stage, playing in loud, loose rawkus bands. I make no secret of the fact that when I became the editor of I was very much at the start of my computer music journey. To start painting this picture I need to explain the canvas. I’m going to tell you how this software feels to use. Instead of detailing the mechanics of Falcon by UVI I’m going to focus on a different aspect. Every sound that has come out of Falcon in the time I’ve been getting to know it has had me grinning ear to ear. Take it as read that none of the sounds in Falcon want for anything. So for this review I’m going to do things a little differently. A sound that might be considered unlistenable to one user could be the foundation of an entire set for another. It’s especially challenging trying to review sounds from an objective perspective. For example, we know that our readers want to know about how software works from a mechanical / workflow perspective.Įxpressing how software actually sounds is one of the most challenging aspects of any review. When we review software packages at Making Music there are several key aspects that we like to cover.
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